UNIFORME stages the necessity of destroying before preserving or building again. Coiled in a monotonous music crescendo, two similar women, orchestrate the demolition of a sand sculpted decor. Their repeated gestures emphasizing breaking and collapse, operates a slow but certain erosion that transmutes the landscape, reducing it to nothing. With a childlike nonchalance, they then begin to rebuild, transforming the apocalyptic landscape into a new miniature city. But once their world is rebuilt, they do not resist the pleasure of destroying it again. The  nonsense that emerges at first sight from this infernal repetition claims the right place of destruction in the cycle of life. UNIFORME figures a world inhabited by beings who make the active and repeated choice of becoming the actors of a natural and necessary corrosion. Neither victims nor executioners of an environment that they shape indefinitely, they renew without concession their pleasure to create, building their identity in a short-lived, fragile world full of loss.

CHOREGRAPHY

UNIFORM is a unison that is constantly being built and destroyed. In this cacophonous score, certain accents, gestures and rhythms suddenly settle together before disappearing again in the permanent oscillation.

SCENOGRAPHY

While it is the result of a long process of natural destruction, invisible to the human scale, sand is also a building material. UNIFORME exploits both sides simultaneously, shaping and reshaping it in a multiplication of the same pattern, in the image of a world of globalisation, reduced to a plot of land, a global village.